“The archaeological record is intrinsically digital, not in the sense that it turns digital once the data have been entered and processed, but, more radically, in the sense that it is by its very nature digital, in its genesis and its structure.” (Buccellati 2017, 232)
would pique the interest of any digital archaeologist. But strangely, that seems not to be the case: Giorgio Buccellati’s book appears to be currently unreviewed and largely, it seems, unremarked upon. Two exceptions to this generalisation are Gavin Lucas and Bill Caraher. In his latest book, Gavin Lucas suggests that Buccellati’s characterisation of archaeology as natively digital is problematic (2019, 91), but the critique is limited as the book’s focus lies elsewhere, on textuality. In his response to Sara Perry and James Taylor’s ‘Theorising the Digital’ paper (2018), in which they point to the disconnect between the demonstrable impact of digital archaeology on archaeological method relative to its comparative lack of effect on archaeological theory, Bill Caraher suggests (2018) that Buccellati’s book represents a rare example of the interplay between digital theory and broader archaeological theory. So why does Buccellati argue that archaeology is natively digital? And is his characterisation of digitality useful to digital archaeology, as well as to archaeology more broadly?